Friday, June 11, 2010

Food, friends and belly laughter



We had a great time--and a big turnout--at Jade's house to discuss Their Eyes Were Watching God. But first, we enjoyed our semi-annual potluck dinner:

Cream puffs
Caramel bars
Oatmeal cookies
Chips and salsa
Bean salad
Fritos salad
Rhubarb crisp
Spinach salad
Broccoli salad (an Interrupters staple)
Potato salad
Rice and orange chicken
Shrimp
Vegetable tray
Did I forget anything?

Yummy, yummy food.

We can always rely on a lot of laughter, but Ambi's return to the group took things to a "whole 'nother" level - pugnacious ? (blush).

Thanks, Jade, for leading a very interesting discussion. I think we all enjoy reading books that offer us a glimpse into a different culture, time period, and life experience.

 We talked about too many things to recap here, but we had quite a discussion on race and the meanings of skin color. We talked about the language, the imagery, the characters. As usual, we didn't agree on everything, which makes things more interesting. For instance, Queene didn't think Janie evolved as a character.

I learn so much every month--about the book, the author, and about the strong, talented, smart and funny women I've come to love. This month we met Hermana's daughter and learned the remarkable story about her adoption.

I want to thank everyone for singing happy birthday to me, especially Ambi, whose lovely rendition left me almost in tears.

Wednesday, June 2, 2010

Their Eyes Were Watching God





About the Zora Neale Huston

• Birth—January 7, 1891
• Where—Eatonville, Florida, USA
• Death—January 28, 1960
• Where—Fort Pierce, Florida
• Education—B.A., Barnard College (the school's first black
graduate); anthropology at Columbia University


In her award-winning autobiography, Dust Tracks on a Road(1942), Zora Neale Hurston claimed to have been born in Eatonville, Florida, in 1901. She was, in fact, born in Notasulga, Alabama, on January 7, 1891, the fifth child of John Hurston (farmer, carpenter, and Baptist preacher) and Lucy Ann Potts (school teacher). The author of numerous books, including Their Eyes Were Watching God, Jonah's Gourd Vine, Mules and Men, and Moses, Man of the Mountain, Hurston had achieved fame and sparked controversy as a novelist, anthropologist, outspoken essayist, lecturer, and theatrical producer during her sixty-nine years.

Hurston's finest work of fiction appeared at a time when artistic and political statements--whether single sentences or book-length fictions--were peculiarly conflated. Many works of fiction were informed by purely political motives; political pronouncements frequently appeared in polished literary prose. And Hurston's own political statements, relating to racial issues or addressing national politics, did not ingratiate her with her black male contemporaries. The end result was that Their Eyes Were Watching God went out of print not long after its first appearance and remained out of print for nearly thirty years. Henry Louis Gates, Jr., has been one among many to ask: "How could the recipient of two Guggenheims and the author of four novels, a dozen short stories, two musicals, two books on black mythology, dozens of essays, and a prizewinning autobiography virtually 'disappear' from her readership for three full decades?"

That question remains unanswered. The fact remains that every one of Hurston's books went quickly out of print; and it was only through the determined efforts, in the 1970s, of Alice Walker, Robert Hemenway (Hurston's biographer), Toni Cade Bambara, and other writers and scholars that all of her books are now back in print and that she has taken her rightful place in the pantheon of American authors.

In 1973, Walker, distressed that Hurston's writings had been all but forgotten, found Hurston's grave in the Garden of Heavenly Rest and installed a gravemarker. "After loving and teaching her work for a number of years," Walker later reported, "I could not bear that she did not have a known grave." The gravemarker now bears the words that Walker had inscribed there:

ZORA NEALE HURSTON
GENIUS OF THE SOUTH
NOVELIST FOLKLORIST ANTHROPOLOGIST
(1891-1960)






More About Huston
During the 1920s, African-American culture in the United States received an exhilarating shot in the arm in the era known as the Harlem Renaissance. For the first time, black American art, music, and literature was being taken seriously among the intelligentsia as a significant force in contemporary culture. At the front of that movement were several writers, including Zora Neale Hurston.

Hurston's work reflected the liberation and experimentation of post-war America. She published stories and co-founded the groundbreaking journal 
Fire! with poet Langston Hughes and novelist Wallace Thurman. By the ‘30s, Hurston was a bestselling writer, but with the Renaissance on the wane and a new era of politics, economic depression, and the "social realism" movement, Hurston's once glorious literary career was running into dire straits. She would end her life destitute, practically forgotten, buried in an unmarked grave in Florida. However, a resurgence of interest in her work during the 1970s and the tireless work of writer Alice Walker would help reestablish Hurston in her rightful place as one of America's greatest and most influential writers.

Born in Eatonville, Florida, in 1891 to a father who was a Baptist preacher, Hurston was well-versed from birth in the dynamics of the Southern black experience. She brought that keen vision to her writing and published her first story in the Howard University literary magazine while attending the school in 1921. Still, it was not until Hurston moved to New York City in 1925 that she really began to make waves on the literary scene. Her writing was characterized by its unflagging honesty and strength, qualities that Hurston herself exuded. She often ruffled feathers by refusing to adhere to the constricting gender conventions prevalent at the time. This strength and self-confidence was already apparent in the writer's very first works. Her debut novel 
Jonah's Gourde Vine was praised byThe New York Times as "the most vital and original novel about the American Negro that has yet been written by a member of the Negro race." Her second was a bona fide classic, Mules and Men, a compendium of African American folk tales, songs, and maxims that drew on Hurston's extensive studies in Anthropology.

By the time Hurston published her signature work 
Their Eyes Were Watching God, the freestyle experimentalism of the Harlem Renaissance was being increasingly overcast by the Great Depression. As a result, a backlash ensued. Their Eyes Were Watching God, which told of a woman named Janie Crawford who goes through three marriages to separate men as she struggles to realize herself, was too steeped in the experimentalism of the Renaissance to please critics. Furthermore, her portrayal of a black woman's search for personal liberation was too much for many black men to stomach. Richard Wright, the acclaimed author of Native Son, even dismissed Their Eyes Were Watching God for not being "serious fiction." Today, such criticism may seem absurd, or at the very least, incredibly short-sighted, but at the time, Hurston's daring prose was not in vogue amongst the social realists.
Their Eyes Were Watching God, instead, displays a true structural adventurousness, splitting between the eloquence of the narrative voice and the idiomatic, ungrammatical dialogue of the black, southern characters. While works of the social realism movement were easily categorized by their left-wing politics and gritty delivery, Their Eyes Were Watching God was less simple to pigeonhole. It is at once a product of the Harlem Renaissance, an example of Southern literature along the lines of Faulkner, and a work of feminist literature. Consequently, the novel was criticized for being out of step with the times, and it went out of print very shortly after being published, leading to the collapse of Hurston's career and her standing as a significant literary figure.

Hurston would die in 1960, back in Florida, destitute, forgotten. Her books long unavailable, her death barely registered. She would not return to the public eye until 1975, when Alice Walker published an essay titled "In Search of Zora Neale Hurston" in 
Ms. magazine. Along with other writer including Robert Hemenway and Tony Cade Bambara, Walker went on a crusade to revitalize Hurston's career fifteen years after the writer's death.

When 
Their Eyes Were Watching God was finally republished, it was reevaluated as a classic. Today, the novel is required reading in universities all over the country, and Hurston is widely acknowledged as one of the first great African-American women writers. As a final tribute to her idol, Walker also traveled to Florida where Hurston is buried and placed a marker on her grave, a long-overdue tribute to a great American writer reading with beautiful simplicity: "Zora Neale Hurston: Genius of the South." 


Discussion Questions
1. What kind of God are the eyes of Hurston's characters watching? What is the nature of that God and of their watching? Do any of them question God? 

2. What is the importance of the concept of horizon? How do Janie and each of her men widen her horizons? What is the significance of the novel's final sentences in this regard? 

3. How does Janie's journey--from West Florida, to Eatonville, to the Everglades--represent her, and the novel's increasing immersion in black culture and traditions? What elements of individual action and communal life characterize that immersion? 

4. To what extent does Janie acquire her own voice and the ability to shape her own life? How are the two related? Does Janie's telling her story to Pheoby in flashback undermine her ability to tell her story directly in her own voice? 

5. What are the differences between the language of the men and that of Janie and the other women? How do the differences in language reflect the two groups' approaches to life, power, relationships, and self-realization? How do the novel's first two paragraphs point to these differences? 

6. In what ways does Janie conform to or diverge from the assumptions that underlie the men's attitudes toward women? How would you explain Hurston's depiction of violence toward women? Does the novel substantiate Janie's statement that "Sometimes God gits familiar wid us womenfolks too and talks His inside business"? 

7. What is the importance in the novel of the "signifyin'" and "playin' de dozens" on the front porch of Joe's store and elsewhere? What purpose do these stories, traded insults, exaggerations, and boasts have in the lives of these people? How does Janie counter them with her conjuring? 

8. Why is adherence to received tradition so important to nearly all the people in Janie's world? How does the community deal with those who are "different"? 

9. After Joe Starks's funeral, Janie realizes that "She had been getting ready for her great journey to the horizons in search of people; it was important to all the world that she should find them and they find her." Why is this important "to all the world"? In what ways does Janie's self-awareness depend on her increased awareness of others? 

10. How important is Hurston's use of vernacular dialect to our understanding of Janie and the other characters and their way of life? What do speech patterns reveal about the quality of these lives and the nature of these communities? In what ways are "their tongues cocked and loaded, the only real weapon" of these people?


Learn More
If you want to learn more about the book--themes, characters, analysis, more questions, etc.--check out this learning guide or this one.


Movie
The book was made into a television movie in 1995, starring Halle Berry. If you like watching the movie adaptations after you read the book, it is available to rent at Blockbuster.

Thursday, May 20, 2010

genius among us

A writer from Utah was visiting with a publisher in New York City who asked, "What is going on in Utah? There are so many great writers there." I have noticed the great success of Utah writers in recent years and thought you might enjoy learning about some of them.

We have a very vibrant publishing market here in Utah. Most of the books published are for the LDS market, and  every spring, at the end of the LDStorymakers Conference, Whitney Awards are announced for LDS authors. This year the winners were:

Best Romance
"Counting the Cost by Liz Adair



Best Mystery/Suspense
"Methods of Madness" by Stephanie Black















Best Youth Fiction
"The Chosen One" by Carol Lynch Williams



















Best Speculative Fiction
"Servant of a Dark God" by John Brown


Best Historical Fiction
"The Last Waltz" by G.G. Vandegriff

















Best General Fiction
"Hotel On The Corner Of Bitter And Sweet" by Jamie Ford










Best Novel by a New Author A TIE!
Gravity vs. The Girl by Riley Noehren AND I Am Not A Serial Killer by Dan Wells





Best Novel of the Year
"In the Company of Angels" by David Farland








Though most of these books were published locally and were written for the LDS audience, there are many authors who have been very successful in the national market. Here are a few of them:

Shannon Hale
Shannon is one of my very favorite authors. If you have the chance to hear her speak, don't pass it up! As Apple can confirm, she is funny, charming, clever and fun. However, she is the mother of two and is expecting twins so she has dramatically curtailed her activities. She is a writer who likes to write in a variety of genres, but my favorites are her young adult fantasies. The next one will be published in 2011!

Jessica Day George
Jessica is a smart, spunky, quick-witted author of young adult fantasies and fairy tale retellings. Her newest book is Princess of Glass. Love her.

James Dashner
When I first met James he was being teased by other authors for his unabashed self-promotion, but his ultimate success has been gratifying because he has worked so hard and been so single-minded. His book The Maze Runner (which might appeal to Hunger Games fans) is being made into a movie and you can watch the trailer here.

Brandon Sanderson
If you are a fantasy fan then you will know Brandon Sanderson, who received the great distinction of being chosen to write Robert Jordan's final book in The Wheel of Time series. When Jordan died of cancer, two of my sons who had invested in all eleven books of the unfinished series were devastated by the thought that they would never find out how the story ended. Sanderson was also a fan and wrote a beautiful eulogy of Robert Jordan on his blog. Jordan's widow read it and researched Sanderson's writing style. She felt that it was very similar to her husband's, though a bit darker, and invited him to finish the series, which has turned into three books instead of one, only one of which has been published so far. He teaches a writing class at BYU every winter semester and his students rave about him.

Richard Paul Evans
Perhaps you all know about Richard Paul Evans' unusual career path. He was an advertising executive when he wrote The Christmas Box. He published and advertised the book himself and it became a local bestseller, which prompted an auction among the world's top publishers. The rest is history, as they say.

Brandon Mull
Brandon Mull makes me smile because he is the nicest guy. He used to be in a comedy troupe and he is funny, too. When he came to the library to speak and sign books he stayed deep into the night, way past library closing time, to sign every last child's copy of Fablehaven. There is no publication date yet for his next series, The Beyonders, which was actually written before the Fablehaven series.

Dean Hughes
Hughes has written a handful of books for the LDS market, but most of his 90+ books for children and young adults has been in the national market. In 2008 he received a Lifetime Award at the Whitneys.

Tracy Hickman
Hickman is a writer of many fantasy books and a game designer. Think Dungeons & Dragons. This may not be your cup of tea, but he has been very successful.

Michael O. Tunnell
Michael is a children's literature professor at BYU. He has published a dozen books, picture books, young adult fantasy, non-fiction, etc. He has also served on two Newbery committees (Maniac Magee and Graveyard Book) and written a popular textbook on Children's Literature that is used in colleges across the country. He is passionate about children's literature and when I found out he despised one of my favorite authors I had to find out why. That was an interesting conversation.

Chris Crowe
Chris is a BYU professor who specializes in young adult literature who has published nine books, one of which you all are familiar with: Mississippi Trial, 1955.


Caralyn Buehner
This is the only picture I could find of Caralyn. She must be extremely camara shy.

Caralyn began writing picture books at the urging of her illustrator husband. I'm so glad he succeeded because Fannie's Dream is one of my favorites!

Ann Edwards Cannon
If only Anne were my next-door neighbor, my best friend from third grade or my cousin (She is LaVell Edward's daughter so she is also Julie Edward's cousin-in-law.) She makes me laugh. Luckily, I get a dose of Anne every Monday morning when I read her column in the Deseret News. She teaches writing classes and works at King's English Bookstore and writes books for children and young adults. Her latest book is called The Loser's Guide to Life and Love, which is about four teenagers and their crushes, mistakes, and misunderstandings one summer in Salt Lake City.

Carol Lynch Williams
Carol has written two dozen books for children and teens. Her latest book, The Chosen One, is the highly acclaimed story about a teenage girl who grew up in a polygamist family who decides she doesn't want to be the seventh wife of her 60-year-old uncle.

Sara Zarr

Sara has published three young adult novels and has a fourth coming out this year. An independent filmmaker is making a movie based on her book Story of a Girl.

Mette Ivie Harrison
A few years ago, Mette's husband said, "You are teaching German at the university, writing books, and being a mom. You can only be good at two out of the three. Choose which two you want to do the most." Giving up being a mom was out of the question so she resigned from her professor post. Most of her books are fairy tale retellings.

Kimberley Heuston
Kimberley teaches at Waterford, a private high school in Sandy and writes young adult historical fiction and history books.

Sharlee Glenn
Sharlee Glenn lives in our own neck of the woods, in the neighborhood north of Patriarch Adams. She has published a several picture books and a grade school novel.

This is by no means a comprehensive list, but this post is far too long as it is.

However, I couldn't resist including other authors who have Utah ties. I, for one, like to claim them.

Aprilynne Pike
Aprilynne was living in Springville while her husband went to BYU's law school when she was offered a great deal of money for her fairy trilogy: Wings, Spells and one yet to be published. They have since moved to Arizona. A few years ago, my sister-in-law was her Young Women's leader and she had no inkling that she would become a famous author.

Stephenie Meyer
What can I say? Her level of success doesn't come along very often. Her newest book, The Short Second Life of Bree Tanner will be available free online from June 7 - July 5 at www.breetanner.com.

Orson Scott Card
Perhaps some of you have read Card's historical fiction novels: Rebekah, Sarah, and Rachel and Leah. However, he is most famous for his science fiction novels. He is considered quite the titan in that field.

Kristen Chandler
Kristen Chandler is the latest Utah author I've heard about to get a book deal. She was featured in the Deseret News last Sunday and if you are interested, you can read the article here.

Wednesday, May 5, 2010

Author interview & discussion questions



A Conversation with Timothy Egan

Why a book on the Dust Bowl now?

The story of the people who lived through the nation's hardest economic depression and its worst weather event is one of the great untold stories of the Greatest Generation. To me, there was an urgency to get this story now because the last of the people who lived through those dark years are in their final days. It's their story, and I didn't want them to take this narrative of horror and persistence to the grave. At the same time, this part of America — the rural counties of the Great Plains — looks like it's dying. Our rural past seems so distant, like Dorothy's Kansas in the Wizard of Oz. Yet it was within the lifetime of people living today that nearly one in three Americans worked on a farm. Now, the site of the old Dust Bowl — which covers parts of five states — is largely devoid of young families and emptying out by the day. It's flyover country to most Americans. But it holds this remarkable tale that should be a larger part of our shared national story.

Do you see any parallels between the Dust Bowl and Hurricane Katrina, the worst natural disaster of our time?

There are so many echoes of what happened in the 1930s and the hurricane that hit the Gulf Coast in the summer of 2005. For starters, there were ample warnings that a large part of the United States could be rendered uninhabitable if people continued to live as they did — in this case, ripping up all the grass that held the earth in place. In one sense, the prairie grass was like the levees around New Orleans; the grass protected the land against ferocious winds, cycles of drought, and storms. Then after the big dusters hit, you had a massive exodus: more than a quarter million people left their homes and fled. Never before or since had so many Americans been on the move because of a single weather event — until Hurricane Katrina. And finally there was the whole restoration effort: President Franklin Roosevelt thought he could restore the land to grass, plant trees, and maybe bring it back.

What about the people? Did they ever return?

Not really. The southern plains never fully recovered from the ravages of the Dust Bowl. There was a fascinating debate within the Roosevelt administration about whether to even try to lure people back. Many thought it was futile, that the whole settlement of the area had been a mistake. One pundit, H. L. Mencken, said the people who lived there were too stupid and should be sterilized. "They are simply inferior men," he wrote.

But there was another, more optimistic impulse — reclaim the land to its original state, and then get people to farm in a different fashion. At one point, Hugh Bennett, who led the soil conservation effort, told his restoration army, "We are not merely crusaders, but soldiers on the firing line of defending the vital substance of our homeland."

Beyond the hurricane, what is the relevance of the Dust Bowl to our times?

Remember what Lincoln said: We cannot escape history. That goes for the natural world as well. The Dust Bowl story is a parable, in a way, about what happens when people push the limits of the land. Many people think what happened in the 1930s — with drought, endless hot days, white skies, plants dying and the earth blowing — is a precursor to what could happen as the climate continues to change and the earth heats up.

Yes, you hear a lot of references about a "new Dust Bowl."

But thus far, there has been nothing like the one that took hold of a big part of our country seventy years ago and lasted nearly a decade. Some of these folks I interviewed, they fought in World War II, saw the worst kind of carnage that human beings can inflict on each other, and they say the Dust Bowl was more traumatic.

Why is that?

I think it was because of the uncertainty. The world they had known was changing before their eyes, dying, being swept away. They didn't know what has happening. Many thought the end was near, and not just the Biblical end. It was a risk to your life just to step outside on some days. It was risk simply to take a breath. People wore masks and rubbed Vaseline in their noses as filters. At the same time, twenty-five percent of adults were out of work. If you could find a job, you were lucky to make two dollars a day, which is barely enough to feed a family.

What do you mean when you call the Dust Bowl "the great untold story of the Greatest Generation"?

We know a lot about the Dust Bowl refugees, the so-called Okies and Arkies who migrated west to California and into the Pacific Northwest in the 1930s. Much of this we know from John Steinbeck's masterpiece The Grapes of Wrath, and from the government photographers and writers who did a terrific job of recording this migration. But very little is known about the people who did not leave the Dust Bowl. And as it turns out, most people never moved away. Nearly two-thirds of the Dust Bowl inhabitants hunkered down and lived through the Dirty Thirties. How did they get by? There was no food from the land, no jobs during the Depression, no money from the government until much later. This was my starting point.

And what kind of story is it?

It's a story of survival, of perseverance, of the most corrosive poverty. Of days when the sky turned ink-black at noon, and times when parents gave up their children because they feared they would starve. Of days with no Social Security, no accurate weather forecasts. Most of the Dust Bowlers didn't even have electricity. They ate things like tumbleweeds — salted and canned — or roadkill, cooked over an open fire. And when they would slaughter a pig, as one woman told me, "We ate everything but the squeal."

What kind of peril did the Dust Bowlers face?

Everything the sky could throw at them, it did. In addition to the usual horrors — violent thunderstorms that produced hail the size of baseballs, wildfires that swept over the prairie, tornadoes that could level a town in the blink of an eye — there were these massive, almost otherworldly dust storms. A typical duster was a corrosive mix of sand and high-velocity air that could make cattle go blind and people cough until it hurt. The sky would blacken as these great waves of dust rose up and fell. Sometimes the leading edge of one of these storms was a mile-high. Charles Lindbergh, the greatest aviator of his age, got stuck at the edge of one of these storms and had to make an emergency landing. He said it was the most frightful thing he ever saw as a pilot. And the storms could be lethal. Makeshift hospitals were set up in school gyms for children who fell ill and then died suddenly from something the doctors called "dust pneumonia."

What caused the Dust Bowl? 

Most of the people who lived through it say it was a human tragedy — one part hubris, one part greed, one part bad luck — not some freak of nature. When you look at the relevant weather data and compare it to the historical record, it's very revealing. The wind speeds were about the same as always. The high temperatures in summer and the lows in winter were not that much out of the norm. Yes, there was a terrible drought. But the Great Plains has always had these elements — high winds, heat, cold, and drought. There was not some extraordinary combination of rare and traumatic weather.

So what was different?

The grass — "North America's characteristic landscape," as the poet Walt Whitman called it — was wiped off the face of the southern plains. This great sea of green had anchored the Great Plains for eternity, covering nearly one-fourth of the continent.

The southern plains was a frontier well into the twentieth century. It was the last place to be truly settled by Anglos during the western expansion. Then suddenly came a gold rush of sorts — a gold rush for grain. The price of wheat doubled, tripled, and quadrupled, prompting a stampede to rip up the prairie grass and replace it with wheat. When grain prices crashed, people walked away, or stopped planting. Then the land was barren, with no grass, and it started to blow.

By 1935, more than eight hundred-fifty million tons of topsoil had blown off the southern plains - nearly eight tons of dirt for every resident of the United States. More than one hundred million acres, an area about the size of Pennsylvania, lie in ruin. One of these storms fell on New York, and another one blew dust into the White House and out to ships at sea in the Atlantic.

Do you blame the people who farmed the southern plains for bringing this disaster on themselves?

No. The people who dug up this hard sod, who lived in dirt houses for a while, or underground in homes they called dugouts, who built churches and schools from the raw scraps of the ground, who raised large families and prospered, for a time — these people were doing what Americans have always done. These were Last Chancers: persecuted Germans from Russia, Scots-Irish from the South, Mexicans who platted out homesteads. The southern plains was the last chance for them to own something. But they were encouraged by the railroads and the government to take unrealistic risks. They were told to take out cheap loans and plant as much wheat as possible as a patriotic act. In the same way that people in the cities were speculating, wildly, in the stock market, these farmers took a gamble that the price of wheat would only go up. They took land that was suited for grass and animals that eat grass and turned it into something else. Only a few cowboys and some defeated Comanche Indians tried to warn them off.

Tell us a little bit about the people in your story.

There's a part-Apache cowboy family we follow throughout the story. The father loved horses and empty sky and the grasslands. What happened to the land broke his heart. Some days, he'd come home to see his wife in tears, trembling in the corner of their tiny house, muttering, "The dust, I just can't take it anymore."

There's a woman named Hazel Lucas, with southern charm and a big heart. We see her first as a teenage bride, teaching kids in a one-room sodhouse, and then we watch her try to raise a family and keep her dignity through these awful storms.

There's a hero of the New Deal, Big Hugh Bennett, a farm boy from the south who tried to save the grass in the Dust Bowl and convince people that the grasslands could be restored.

There's an extraordinary, pioneering Jewish family, the Herzsteins, who tried to maintain the rituals of daily life even after they lost a beloved uncle to a gunslinger.

There's a town booster and newspaper man, John McCarty, who tried to make a virtue of the dust storms.

And there was a free-spirited kid, one of nine children living in a hole in the ground, whose only goal was to make it to his senior year in high school.

People do some strange things during the worst years. Tell us about that.

The land was sick, and I think that had an effect on how people lived and acted. Towns would hold rabbit-clubbing rallies. Basically, they'd get everybody out on a Sunday afternoon with clubs and round up thousands of rabbits and club them to death. Strangely, rabbits flourished during the Dust Bowl, living on bugs. And speaking of bugs, some states had to call out the National Guard to try to control the locusts and other pests that descended on this desperate land.

You've written a lot about the Pacific Northwest, where you live. What was it like to shift your focus to the southern plains?

Like going from one planet to the other. I'm used to green — forests, rain country, grass that never turns brown but for the driest month of the year. When I was in the southern plains, I suffered from brownshock! But it's fascinating. For me, like visiting a foreign country. The Plains have a wondrous, savage beauty, but you have to take the time to let it get in your bones, to feel a little bit of the haunt and tease and risk of the land. In some respects, it has the worst weather in the world — tornadoes, whiteout blizzards, flash floods, soul-sapping heat waves. But it's lovely, in its way, especially in the early part of the day before the wind kicks up. I also like the drama of the land — the thunderstorms that come out of nowhere, the sky the stretches to infinity, the sense of being alone, even lost in the eternity of the flatness.

What about the grasslands? Is there anything left?

Yes. And this was one of the big surprises. The land really has healed — in places, at least. When I used to see a "national grassland" on the map, I wondered if it was some kind of joke. It's heartening to see some restoration, but the scars of the Dust Bowl are big, and deep, and lasting.


Discussion Questions

1. Discuss what Egan presents as the reasons for the dust bowl tragedy. Was it a confluence of unforeseen events that produced the perfect storm? Or was it a man-made disaster that might have been avoided, or at least mitigated?

2. Should everyone have known better—was there enough known at the time about the impact of farming techniques on erosion? 

3. Who tried to warn about the dangers of farming in the grasslands and what were the gist of their warnings? Why were they ignored? Is it simply human nature to take heed in hindsight rather than in real time?

4. Talk about the different characters in Egan's story. Which of the families' stories do you find particularly poignant? Which characters do you find most admirable?

5. What descriptions of the dust storms did you find most shocking or most tragic—Black Sunday, static electrcity, dust pneumonia, just to name a few? 

6. During the disaster, 250 million people left their homes—a disapora about which Steinbeck's Grapes of Wrath is written. But most residents stayed. What made them stay? Would it have been better to have left? Which choice would you have made?

7. What was the political outfall of the dust bowl? How did Washington eventually respond? What have been the lasting effects?

8. What lessons, if any, have we learned from the dust bowl castastrophe—about how human actions, well-intentioned or not, can lead to environmental damage? Is there anything comparable on the horizon today?

9. Surviving the Dust Bowl, a 2007 documentary, part of the American Experience series on PBS, would make a valuable contribution to any book club discussion. The film footage is stunning. You could get a copy through your public library or through Netflix.

10. You might also pair this work with Steinbeck's Grapes of Wrath and discuss the human tragedies—and bravery—in both accounts.

Monday, April 26, 2010

National Autism Month


We had a great time at Jeeves' discussing Temple Grandin's Thinking in Pictures, which was very timely, since this is National Autism Month. Thanks, Jeeves, for introducing us to this book and for providing a great discussion on autism. It was very thought-provoking. Thanks, too, for the yummy cookies.

There's a great post on C Jane Enjoy It's blog by guest blogger, Catherine Parry, a BYU English professor whose son is autistic.


If you are interested in reading this book, it will be at the library next week.

"When his son Rowan was diagnosed with autism, Rupert Isaacson was devastated, afraid he might never be able to communicate with his child. But when Isaacson, a lifelong horseman, rode their neighbor's horse with Rowan, Rowan improved immeasurably. He was struck with a crazy idea: why not take Rowan to Mongolia, the one place in the world where horses and shamanic healing intersected? 

THE HORSE BOY is the dramatic and heartwarming story of that impossible adventure. In Mongolia, the family found undreamed of landscapes and people, unbearable setbacks, and advances beyond their wildest dreams. This is a deeply moving, truly one-of-a-kind story--of a family willing to go to the ends of the earth to help their son, and of a boy learning to connect with the world for the first time."

A movie was made of this book and you might enjoy watching the trailer.

Sunday, April 11, 2010

Temple Grandin

I found this great video of Temple Grandin on ted.com. Her lecture is called "The World Needs Different Minds." Check it out here.
Temple Grandin is the first person I've heard of who says her favorite animal is a cow. I have a very limited association with cows, I must admit, but my favorite memory is of the first summer I was married. My husband and I lived in a cabin in a canyon at the foothills of the Tetons. It was spectacularly beautiful. A river ran past our cabin and and we pumped the river water into our shower. We borrowed a ringer washer and hung our clothes on a line over the river. The fields were covered with tons of wildflowers -- and a great many cows. My husband worked long hours on million dollar cabins while I stocked shelves part-time in the local grocery store. I spent a lot of time alone, just me and the cows. I found out that summer that those cows enjoyed being serenaded. They especially liked the songs from "The Sound of Music." If I am ever fortunate enough to meet Temple Grandin I will tell her so.
Watch a trailer from the HBO movie Temple Grandin with Claire Daines.

Tuesday, March 30, 2010

Interview with Jeeves--our newest member

Before House, Hugh Laurie was Bertie Wooster in BBC's very funny comedy series, Jeeves and Wooster, based on P.G. Wodehouse's stories and novels. Jeeves is Bertie's valet, not his butler, but Bertie has lent him out as a butler and says "If the call comes, he can buttle with the best of them." Because of the popularity of this character, Jeeves is now a generic term meaning "valet, butler or chauffeur." Jeeves has a wide range of knowledge and wisdom and so the name is also associated with any useful, reliable person, thus "Ask jeeves.com," now shortened to "ask.com."

Our Jeeves also possess a wide range of knowledge and resourcefulness.
Here are her replies to my questions:

"I really enjoy being a member of the Interrupters. I'm enjoying getting to know everyone. I'm surprised that the picture you took of me at the last meeing came out decent. I'm not photogenic. But it does show that I'm feeling quite comfortable with this wonderful group of amazing women!!!"

 Q. Tell us a little bit of your life history. (These details sometimes come up during discussions, but not always.)
A. My life history: I was born in North Carolina and raised in Northern California. I'm the oldest of 3+ kids. The + is for the many foster children that lived with us as I grew up. When I was about age 9 and on, there were nearly always two young foster children living with us, of many races and nationalities. I graduated from BYU with a BA in Humanities. I served a mission to Germany. I've traveled a lot in the US, much as a teen on the bus. Two little known facts: I hitchhiked over the border to Canada when I was a teen and I hopped a railroad when I was a few years older. (With the man I eventually married.) We were heading to Las Vegas. Unfortunately the car we were riding on got switched to a siding at the south end of Salt Lake Valley and we never made it to Vegas…

I married Steve Butler and have 5 children. He had a number of medical problems, had a liver transplant and then passed away 7 years later, in 1996.

Q.  What do you do for a living? 
A. I have a variety of jobs. Every morning I provide "morning support" for a handicapped boy and his family. I make breakfast, help him get ready for school, and drive him and his two younger siblings to a charter school in Lehi near Micron. I write occasional articles for the Daily Herald. My focus is education (schools.) I used to write for the Pleasant Grove Review and had a weekly column, "Looking Around" which was about family life and my observations a la Erma Bombeck, and a column, "Getting Out" which focused on local family outings or "field trips." I've had a couple of true stories published in the Chicken Soup for the Soul books. I also work afternoons at Valley View Elementary as an aide in the Preschool. On many Mondays and Saturdays I work as an assistant arborist with Artistic Tree Service. I help prune and shape trees. I like the variety of working indoors and outdoors, with people and in solitude. I also work as a volunteer at Orem Library, because I've always wanted to be a librarian ('cuz I really like books!)

Q. What are your interests (besides reading, of course)? 
A. I enjoy walking, hiking, and bicycling. I love being outdoors, going camping. I enjoy gardening. I love to explore little-known roads, alleys, and places. I enjoy music and the performing arts (as audience.) I think my favorite church calling was Cubmaster, although I've enjoyed teaching callings (primary and Relief Society) as well.

Q. What brings you joy? 
A. What brings me joy? The gospel. The temple. My family. Learning new things. Seeing a sunset. Watching shooting stars. Going on a walk. Spending quality time with my children or friends.

Q. What genres do you enjoy reading the most? 
A. Two genres I especially enjoy are adolescent fiction, and intriguing non-fiction. I also enjoy children's picture books.

Q. What are your favorite books of all time?
A. All-time favorite books. Hmmm…. Nothing comes to mind at the moment. I've enjoyed a lot of books over the years. I've reread some that I enjoyed as a child/youth and I think it may be best to keep the pleasant memories of a good story than face the stark reality of not the most literary craftsmanship.

Q.  What do you still want to accomplish in this life?
A. I don't think a lot about accomplishing anything amazing like writing the Great American Novel or inventing something that could bring sight to the blind or save humanity. I've been in survival mode for so long that I'm grateful to wake up and be breathing every day. I am grateful for small miracles that keep me and my family going.

It's great to get to know you better, Jeeves!